Hits, Flops, and Other Illusions: My Fortysomething Years in Hollywood

Hits, Flops, and Other Illusions: My Fortysomething Years in Hollywood

Ed Zwick

4.02(2228 readers)
This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood.

“I’ll be dropping a few names,” Ed Zwick confesses in the introduction to his book. “Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints.”

He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he’s known to have a special talent for bringing out the best in the people he’s worked with, especially the actors. In those intense collaborations, he’s sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full.

Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love —and won. He shares personal stories about all these people, and more.

Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won’t want to miss it.

Publisher

Gallery Books

Publication Date

2/13/2024

ISBN

9781668046999

Pages

304

Questions & Answers

Edward Zwick reflects on his Hollywood journey with a mix of nostalgia, self-reflection, and critical analysis. He recounts his early days at the AFI Conservatory, where he faced both failure and inspiration, learning from mentors like Nina Foch and Ján Kadár. His experiences with major studios, such as working with Woody Allen and Sydney Pollack, are highlighted, showcasing the challenges and rewards of collaboration. Zwick also discusses the evolution of the film industry, noting the shift from studio-driven to audience-driven content and the impact of streaming platforms. He reflects on the changing nature of storytelling and the challenges of maintaining artistic integrity in a commercial landscape, emphasizing the importance of perseverance and the pursuit of meaningful work.

Throughout his career, Edward Zwick faced numerous challenges and obstacles. One significant challenge was working with actors, particularly navigating their egos and managing their expectations. He often had to balance the actors' desires for creative control with his own vision for the film. For instance, he had to deal with actors like Dustin Hoffman, who were difficult to work with due to their strong personalities and high expectations.

Navigating the Hollywood system was another major challenge. Zwick often found himself at odds with studio executives who wanted to control the creative process. He had to fight for his vision and often had to compromise to get his films made. This included dealing with studio politics, such as when his film "Leaving Normal" faced difficulties with casting and production.

Balancing commercial success with artistic integrity was also a constant struggle. Zwick often chose to make films with social or political themes, which could be risky in terms of box office success. He had to navigate the tension between making films that would appeal to a wide audience and staying true to his artistic vision. Despite these challenges, Zwick remained committed to making films that mattered to him, which has contributed to his enduring career in Hollywood.

Edward Zwick's personal experiences significantly influence his filmmaking and the themes he explores. His Jewish heritage, particularly his relationship with his father, a narcissistic narcissist, has shaped his fascination with movie stars and his complex relationships with them. His struggles with illness, such as his battle with non-Hodgkin's lymphoma, have informed his work's exploration of themes like love, loss, and resilience. His relationships with family and colleagues, including his marriage to Liberty Godshall and his collaborations with Marshall Herskovitz, have influenced his focus on friendship, mentorship, and the challenges of balancing personal and professional lives. These experiences contribute to his storytelling, which often delves into complex human emotions, societal issues, and the search for identity and meaning.

The author, Edward Zwick, has witnessed a significant transformation in storytelling in film and television. He notes the shift from the communal experience of watching movies in theaters to the individualized, fragmented consumption of streaming content. This change, he suggests, has led to a decline in the theatrical experience, which he values highly. He also observes the impact of digital media on storytelling, noting that while technology has expanded possibilities, it can also lead to a focus on spectacle over substance. Zwick laments the loss of complex characters and narratives in favor of simpler, more marketable content, particularly in the realm of streaming platforms. He emphasizes the importance of storytelling that reflects contemporary life and its complexities, suggesting that the current trend towards mindless entertainment is a disservice to the art of storytelling.

Edward Zwick's insights on the role of the director in filmmaking are multifaceted. He emphasizes the importance of collaboration, particularly with writers, actors, and department heads, to refine and enhance the creative vision. He believes in fostering an environment where differing viewpoints are respected, allowing for a collective growth in the project.

Zwick's approach to working with actors is to create a space where truth and authenticity are paramount. He encourages actors to be present and to not act, but rather to be themselves, which he believes is the essence of great acting. He also acknowledges the director's role as a facilitator, helping actors find their way into their characters and scenes.

Regarding the balance between creative vision and studio demands, Zwick acknowledges the inherent tension between the artist and the studio. He suggests that while studios provide the means to realize one's vision, they often come with their own expectations and limitations. Zwick advocates for persistence and a willingness to fight for one's vision, while also being open to compromise and negotiation. He views the filmmaking process as a series of small humiliations interrupted by bigger ones, reflecting the challenges of navigating the complex relationship between creative vision and studio demands.

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