Jean Rhys's Modernist Bearings and Experimental Aesthetics
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics.
Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
Publisher
Bloomsbury Academic
Publication Date
1/27/2022
ISBN
9781350275775
Pages
321
Categories
About the Author
Sue Thomas
I'm currently pitching my 3rd novel. It's about what happens when the mysteries of technology and nature intersect. 'The Fault in Reality' is set in 2016, the year everything started to go horribly wrong for the UK and the US. Restarting in fiction when you haven't had an agent for 20 years is hard to do but I hope to find a friendly publisher.
My first novel was 'Correspondence' (short-listed for the Arthur C Clarke Award for Best Science Fiction Novel 1992, The James Tiptree Award, and the European Science Fiction Award). In 1994 I published my second novel, 'Water', and edited the anthology 'Wild Women: Contemporary Short Stories By Women Celebrating Women' (1994).
After that I turned to nonfiction: 'Creative Writing: A Handbook For Workshop Leaders' (1995); the cyberspace memoir/travelogue 'Hello World: travels in virtuality' (2004), and 'Technobiophilia: nature and cyberspace' (2013), a study of nature metaphors in internet culture and language.
My most recent book is 'Nature and Wellbeing in the Digital Age' (2017), which explains the psychology behind our love for nature and offers practical advice on how to feel better without logging off.
I've contributed to a wide range of anthologies and journals and written for The Guardian, Orion Magazine, Slate, and many others.
I was born in Leicestershire, England, in 1951. My parents were both Dutch but had settled in England. I founded the trAce Online Writing Centre at Nottingham Trent University in 1995, and became Professor of New Media at De Montfort University in 2005. Since 2013 I've been a Visiting Fellow at Bournemouth University.
My first novel was 'Correspondence' (short-listed for the Arthur C Clarke Award for Best Science Fiction Novel 1992, The James Tiptree Award, and the European Science Fiction Award). In 1994 I published my second novel, 'Water', and edited the anthology 'Wild Women: Contemporary Short Stories By Women Celebrating Women' (1994).
After that I turned to nonfiction: 'Creative Writing: A Handbook For Workshop Leaders' (1995); the cyberspace memoir/travelogue 'Hello World: travels in virtuality' (2004), and 'Technobiophilia: nature and cyberspace' (2013), a study of nature metaphors in internet culture and language.
My most recent book is 'Nature and Wellbeing in the Digital Age' (2017), which explains the psychology behind our love for nature and offers practical advice on how to feel better without logging off.
I've contributed to a wide range of anthologies and journals and written for The Guardian, Orion Magazine, Slate, and many others.
I was born in Leicestershire, England, in 1951. My parents were both Dutch but had settled in England. I founded the trAce Online Writing Centre at Nottingham Trent University in 1995, and became Professor of New Media at De Montfort University in 2005. Since 2013 I've been a Visiting Fellow at Bournemouth University.
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