Thinking Film: Philosophy at the Movies
Richard Kearney, Murray Littlejohn
Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken up and enriched throughout world cinema. Can film indeed think? That is, can film do the work of philosophy?
Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities.
This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form.
Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities.
This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form.
Publisher
Bloomsbury Academic
Publication Date
6/29/2023
ISBN
9781350113473
Pages
425
Categories
About the Author
Richard Kearney
Richard Kearney is the Charles Seelig professor of philosophy at Boston College and has taught at many universities including University College Dublin, the Sorbonne, and the University of Nice.
He studied at Glenstal Abbey under the Benedictines until 1972, and was a 1st Class Honours graduate in Philosophy in the Bachelor of Arts graduate class of 1975 in UCD. He completed an M.A. at McGill University with Canadian philosopher Charles Taylor, and a PhD with Paul Ricœur at University of Paris X: Nanterre. He corresponded with Jean-Paul Sartre, Jacques Derrida and other French philosophers of the era. He was also active in the Irish, British, and French media as a host for various television and radio programs on literary and philosophical themes. His work focuses on the philosophy of the narrative imagination, hermeneutics and phenomenology.
He studied at Glenstal Abbey under the Benedictines until 1972, and was a 1st Class Honours graduate in Philosophy in the Bachelor of Arts graduate class of 1975 in UCD. He completed an M.A. at McGill University with Canadian philosopher Charles Taylor, and a PhD with Paul Ricœur at University of Paris X: Nanterre. He corresponded with Jean-Paul Sartre, Jacques Derrida and other French philosophers of the era. He was also active in the Irish, British, and French media as a host for various television and radio programs on literary and philosophical themes. His work focuses on the philosophy of the narrative imagination, hermeneutics and phenomenology.
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